On Becoming a Sexual Female, via Miley Cyrus

I tend to agree* with this analysis of the photos of Miley Cyrus in Vanity Fair that we've seen so far from Vanity Fair, that they're not "that bad."

*sidenote: Except that the bare skin and sultry looks are for your prom friends, not the American Celebritocrical Gaze. And typically you go to the prom at 17-18, not the age of 15. Mir Kamin makes the distinction quite well between these images and simply wearing a backless dress:

For me, my problem lies with the fact that she's underage and I find the picture intentionally sexual. It's not her naked back -- it's her tousled hair, her come-hither look, and the bed-sheet-esque cover; all of those things together combine to portray a post-coital vixen.

(end of side-note)

But the whole thing still troubles me for a few reasons I know, and probably some I can't articulate yet. And I think the question of whether the images themselves are "that bad" isn't the real issue here.

And I've really become disappointed in Annie Leibovitz who, back in the day, took this amazing image of Yoko Ono and John Lennon that surprised our gender expectations. She has recently become more known for replicating racist images of the recent past, and now this. And while, as I said "they're not that bad" (isn't is sad we have a world of sexualized teen girls to compare this image to that we can make the judgment, 'it's not that bad'? Ugh)

This comment on Female Impersonators is quite striking and right-on, and I think it sums up what was really giving me anxiety:

a fifteen year old girl should be beginning to discover her sexuality. She should understand how her body works and why. She should appreciate her body's feelings and responses, but she should not be doing it in front of the world. To sell magazine covers.

That's exactly it. In a world where women's desirability matters more than her desire or that she desires at all, this is sad yet unsurprising. This 15 year-old girl is learning the very real and 'truth' of our modern culture that posing and being socially stamped as 'sexy' is an important (if not the important) part of women's 'sexuality'. That her being sexy is defined through, well, this. I'm not denying that a 15 year-old can be a sexual being. But the problem is that our culture perpetually defines sexuality and sexiness in terms of public validation of public sexual display. And hers being a sexuality-in-process...sigh. And what were you saying about 'The Sexual Revolution'?

And Gawker's provocative take on the photos is pretty interesting: grooming for pedophilia. I would never argue that's what is consciously and absolutely going on, but it's a compelling suggestion.

And it also makes me think about how our culture "grooms" women to become public sex objects, to desire the validation it provides, to justify it to themselves until it's "no big deal." We don't live in a vacuum, and women (or girls) don't one day jump out of bed and say "I think I'd like to show my tits to strangers while I'm drunk next spring break."

I think I'm just going to leave this here for right now. Thoughts?

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R.E.M.'s Michael Stipe "Outs" His Bandmates as "Heterosexual"

This is brilliant, and nothing less than I would expect from Stipe and R.E.M., who recently stated he's a "queer artist." This seems to me to be a response to his frustration over needing to "come out"; his lack of doing so had been read as "cowardly" rather than about one's sexual and intimate life being irrelevant and no one's damn business.

The coming-out parody that he performs is not with the point of criticizing "coming out," which for may queers is an important act, especially considering the history of queer invisibility. Rather, this parody reveals culture as heteronormative in that heterosexuality is assumed unless said otherwise and unless marked properly. It operates in a similar fashion that following up the question, "When did you first realize you were gay?" with "When did you first realize you were straight?" does.


In our culture we have a compulsion to know one's sexuality identity, which we presume tells us the "truth" about an individual, the "truth" of their sex acts, and allows us to render people's action, speech, and beliefs more meaningful due to the centrality that sexuality plays in how we conceive identity. Sexual identity becomes the way we can be explained and understood. (See Michel Foucault's History of Sexuality vol. 1, summary here)

This was especially evident in the J.K. Rowling/Dumbledore is gay incident this past fall. The announcement upset people because his sexual identity as gay was not made explicit in the text. Rowling's after-the-fact "revelation" of Dumbledore's sexuality operated less like a "coming out." Instead it underscored the cultural assumption of heterosexuality as the "default" sexuality, showing it to be normalized and exnominated. The personal lives of the book's adult characters were almost never discussed, yet this only became an issue because Dumbledore happened to be gay and therefore his personal life became of the utmost importance in making sense of his character. In the books, there was no lover, no obsession with musical theatre, no use of the word "fabulous!" I'm exaggerating of course, but what I'm indicating is that there was no overt way that the text produced him as gay. There was also no "coming out" moment in the text and he was not introduced as "gay" in the character's initial introduction (to the dismay of some gay activists). Of course, after the "revelation" people went through the texts and tried to re-read his character, with this "truth" in mind, and could thus "produce" him as gay.

I mean, look at the photo used to illustrate the BBC story, the caption "R.E.M.'s Michael Stipe in performance":



If that isn't an example of imposing a system of interpretation onto bodily acts that produce and understanding of gender and sexual identity, I don't know what does.

This complusion to know and distinguish genders and sexualities by making meaning of bodily acts really reflects back onto heteronormative culture and how fragile and vulnerable its own construction is.

This isn't to deny the value of "coming out"-clearly visibility of queer individuals as successful and caring people, present in every aspect of society is part of what is needed to disrupt social stigmas and assumptions. But I also think what Stipe is doing here is important too, and provokes a much-needed conversation about recent centrality and importance of sexuality to/as individual identity.

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